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Elham Razani Solo Exhibition 

"The Mystery of Persia"

Opening on Friday, November Friday 11th April - 5th May 2025

At 18:00

 

About Elham Razani

Elham Razani is a multidisciplinary Persian artist with over two decades of experience in the art world. With exhibitions spanning three continents Europe, the Middle East, and beyond, Elham has had the privilege of sharing her work with diverse audiences. But her journey into art wasn't always clear-cut.

As a child, Elham had little interest in painting, perhaps because she was always on the move, too curious and energetic to sit still. But everything changed in 1999 when she decided to pursue art in Iran. She fell in love with painting, starting with realism before exploring modern techniques. Over time, she combined these two approaches, shaping a style that became uniquely her own.

Her curiosity has fueled her artistic journey, constantly pushing her to experiment with new techniques. Sometimes, she can’t believe that the same girl who once had no patience for painting now spends 8-10 hours a day fully immersed in her art, creating with passion and touching people’s hearts through her work.

Beyond creating, Elham finds joy in sharing her knowledge with her students, encouraging them to believe in their own artistic abilities, just as she once doubted hers. She understands firsthand that talent can be discovered and nurtured, and she strives to inspire others to embrace their creativity with confidence.

Throughout her life, Elham has lived in various countries Iran, Cyprus, Qatar, and South Africa. Each place has left its mark on her artistic evolution, enriching her perspective and approach. In 2020, Elham graduated with a Fine Art degree from the University of Northampton in London, further honing her skills and understanding of the art world.

Her work is a reflection of both her Persian roots and her global experiences. It speaks to the resilience of the human spirit, the challenges faced in life, and the constant search for new paths. 

Elham Razani's journey as an artist took a sudden turn in 2017 when she and her husband lost their home and belonging, specially all of her original paintings in a devastating fire in Knysna, South Africa. At that time, she was in Iran while her husband had just arrived in Saudi Arabia to start a new job, and due to the strained relations between the two countries, she couldn’t join him. Having just returned to Iran from South Africa, the loss of her work left her feeling empty, the feeling that she still is an artist but doesn’t have any of her work to exhibit or present.

For nearly two months, Elham was in shock. She sat in her room in Iran, lost in thought, closing the door in despair, letting the weight of it all sink in. She allowed herself to grieve, to cry, and to fully embrace her emotions. But deep down, she knew there had to be a reason for this, a lesson hidden somewhere in the ashes. What now? She kept asking herself, What’s my next step?

Then, one day, a simple truth surfaced: She was still an artist, No fire could take that away. No matter what had happened, she still carried the knowledge, the passion, and the ability to create. But what should she create? Should she return to her familiar styles of abstract and figurative work? The answer was clear: No! That chapter had ended. It was time to step into the unknown, to challenge herself, and to create something entirely new, something she had never attempted before. In many ways, she had to rebuild her portfolio from scratch, embracing the uncertainty as part of the journey.

The idea of working with 3D on canvas emerged. Though she had worked with 3D elements in the past, this was going to be something different. Elham searched for a theme, something that would bring the story to life. As she sat in her room, closing the door, reflecting on the hardships she had gone through to reach this point, she thought about doors, those that close, holding secrets and memories, and those that open, offering new opportunities.

The idea of the door felt perfect. It resonated with her deeply. She began researching Persian doors, and what she found was breathtaking, the intricate designs, especially the female and male knockers, told stories that moved her. Elham knew then that her art would explore the symbolism of doors.

Starting the first 3D door paintings was a huge challenge. She had no idea how to create what she envisioned, and there was nothing out there that matched her idea. But Elham was determined! It didn’t matter that no one else had done it before, she would find her way. And she did!

Now, as she looks at these creations, Elham is reminded of her own journey, of the struggles she faced, and how those doors opened up new opportunities in her life. This series of 3D door paintings, it’s about resilience, about the belief in yourself, no matter what life throws at you, there’s always a way forward.

Her name, ‘Elham’ means Inspiration, and she carries

 that meaning with her every day.

 

 

Summary about Elham Razani Journey 

I am a multi-disciplinary Persian artist, and my journey in fine art began in 1999. Over the years, I have honed my skills, explored various techniques, and developed unique artistic styles. Sharing my knowledge and passion with both children and adults has always been an essential part of my creative path. I Studied in Iran and graduated with a Fine Art degree from the University of Northampton in London.

In 2006, alongside my work in realism and teaching, I began experimenting with new mediums and techniques. I spend between 8-10 hours a day fully immersed in my art, creating with passion and touching people’s hearts through my work. I’ve lived in various countries Iran, Cyprus, Qatar, and South Africa, each place has left its mark on my artistic evolution, enriching my perspective and approach. My work is a reflection of both my Persian roots and my global experiences, which speaks to the resilience of the human spirit, the challenges faced in life, and the constant search for new paths.

 

This exploration led me to merge two contrasting styles - Realism and Abstract, a combination that shaped my artistic identity and allowed me to exhibit my work internationally across three continents, including Europe and the Middle East.

 

In June 2017, while visiting my family in Iran, my life took a devastating turn. My husband and I lost our home in a fire in Knysna, South Africa, along with everything we owned, including 50 of my original paintings, each one created with years of love and dedication. I felt hollow, like a part of me had burned with them. An artist without her art, no home to go back to! I was lost.

 

was in shock, sitting in my room in Iran, lost in thought, closing the door in despair. I grieved, cried, and fully embraced my emotions, but deep down, I knew there had to be a reason for this, a lesson hidden somewhere in the ashes. I kept asking myself, What’s my next step? Then, a simple truth surfaced: I am still an artist. No fire could take that away. My passion and skill remained, I needed a new beginning. But what would I create? Returning to my familiar styles wasn’t an option. I needed something new, a challenge, a fresh start.

The idea of 3D on canvas emerged. As I reflected on my past, doors came to mind, some closing, holding secrets, others opening to new possibilities.

I decided to create something rooted in my Persian heritage, 3D on Canvas and Doors felt perfect. Their intricate designs and symbolic knockers captivated me. I knew this was my new artistic path.

Creating my first 3D door paintings was a challenge, no guide, no reference. There was nothing out there that matched my vision. But I was determined to find a way, and I did!

This series is about believing in oneself, no matter what life throws your way.

Now, years later looking at my work, I see my own journey, struggles, resilience, and the doors that led me forward.

I am proud to present “The Mystery of Persia”.

Let's Explore!

"Locked Memories"

Title: Locked Memories

Medium: 3D on Canvas

Size: 90x70 cm

Year Created: 2022

Price: €8,950

Original/Prints Available 

I wanted this painting to be different, to challenge myself with elements I hadn’t created before. Repeating the same concept over and over doesn’t excite me, I need to push my boundaries, to experiment, to learn something new with each piece. But beyond that, I want visitors to experience variety, to see different stories unfold in my work, and to find something that truly speaks to them.

All elements in this painting are handmade using materials I created from the chains to the shattered wood.

This painting carries a different weight than the others. I decided to add a chain and sculpt a piece of broken wood, both small details, yet they became some of the most challenging aspects of the piece. The chain, heavy and deliberate, adds a sense of restriction, while the broken wood was something I had to truly study to make it feel real. Even now, I look at it and can’t quite believe I created it in a way that looks like a real piece of wood.

The locked door, bound by a chain, tells a silent story of a home once filled with voices, laugh, footsteps, and warmth, now abandoned. Who lived here? What memories are sealed behind this door? It reminds me of how some doors in life remain shut, holding stories we may never hear, while others are just waiting for the right moment to be opened again.

 

"Female Knocker"

 

Persian Door Knockers: Symbols of Respect and Tradition

These works is the bridge between past and future. What could be better than represent my country through my art. Through these doors, I invite you to step into my world.

When I was researching door knockers, I completely fell in love with their concept and the story behind them. It amazed me how cleverly they were designed, not just as functional objects but as a thoughtful solution rooted in tradition and respect.

The sound of female knockers allowing women inside to prepare accordingly.

Female Knocker (Lighter Knocker)

• Smaller, lighter, and makes a softer, higher-pitched sound.
• Used by female visitors, ensuring that a woman of the house could answer.
• This distinction preserved traditional Persian customs of modesty and hospitality.

 

This is the first female knocker I’ve created, and I can’t help but wonder!

Title: Female Knocker

Medium: 3D on Canvas

Size: 50x40 cm

Year Created: 2019

Price: €850

Original/Prints Available

 

"Persian Door House No. 58"

 

This painting is the first 3D artwork I created after the fire in 2017, and it holds a special place in my heart. I will never forget the emotions I felt during that time, but I also knew that creating art is my form of meditation. As a very positive person, I always believe that everything that happens for me has a reason, and I patiently waited for that reason to reveal itself. 

For two months before I created this painting, I was exploring different materials, trying to find the right one for such a unique piece. I learned from my mistakes, experimenting and refining my approach.

All elements in this painting are handmade using materials I created from scratch. I wanted to create everything by hand on canvas, starting from the very basics. This piece challenged me in ways no other had, I had no idea how to make it, as nothing like it existed before. But I trusted my vision and felt a deep excitement to bring what I imagined to life. With determination and belief, I found my way, and this painting became the true expression of that journey.

My art is a bridge between past and present, preserving cultural heritage while inviting viewers to explore the untold stories doors have witnessed and the passage of time they quietly endure.

Two distinct door knockers, each with its own shape and sound, one for men, one for women. More than just a way to identify the visitor, they also served as a symbol of respect.

 

Title: Persian Door

House No. 58

Medium: 3D on Canvas

Size: 120x80 cm

Year Created: 2017

Price: €9,500

Original/Prints Available

 

"Abyaneh Village"

SOLD

 

Some paintings in this series challenged me more than others, but this particular piece holds the essence of all the stories in this exhibition. The idea came from an image of a woman in Abyaneh, which inspired me to bring together various cultural elements into one composition, traditional Persian knockers, pottery, lattice windows, the places where neighbors sit and chat, and the sound of water flowing in the courtyard, the scent often surrounded by geraniums it all reflecting the essence of this historic village.

Abyaneh, one of Iran’s oldest villages, has a history spanning over 4,500 years. Known for its iconic red-clay houses, wooden lattice windows, and intricately carved doors, the village has preserved its traditions for centuries. Women wear colorful floral dresses with white headscarves, and the ancient Abyaneh dialect, dating back to the Sassanid era, is still spoken today.

A couple of years ago, I had the opportunity to visit Abyaneh, and that experience gave me a deeper connection to its beauty and traditions. Walking through its narrow alleys and seeing its architectural wonders first-hand helped me use my imagination to create this piece from the heart, as a tribute to the people of Abyaneh and their rich heritage.

Creating this painting was a significant challenge. I used references from multiple images to reconstruct the scene, and some elements required deep experimentation. The four small lattice windows, for example, took time to perfect, I had to find a way to carve them while maintaining a realistic brick-like texture. The balcony lights, the 3D depth of the canvas, and the sculptural element of the woman in traditional dress all pushed me to refine my techniques further.

This painting took five months to complete, but for me, the result is always more important than the time it takes. I constantly seek new challenges in my work because I never want to repeat myself, each new challenge adds to my skills and artistic growth.

 

Title: Abyaneh Village

Medium: 3D on Canvas

Size: 130x70 cm

Year Created: 2020

Price: €10,500

Original SOLD/Prints Available

 

"Male Knocker"

 

Persian Door Knockers: Symbols of Respect and Tradition

In traditional Persian architecture, door knockers were not just functional elements but carried deep cultural meaning, reflecting values of respect, privacy, and hospitality. 

This tradition dates back to ancient Persia, likely originating during the Achaemenid era (550–330 BCE) and continuing through the Safavid period (16th–18th century), when Persian architecture flourished.

Male Knocker (Heavier Knocker)

• Typically larger, heavier, and produces a deep, strong sound.
• Used by male visitors, signaling that a man of the house should answer the door.
• Helped maintain privacy and respect, allowing women inside to prepare accordingly.

A Living Tradition in Iran

Even today, in many cities and villages across Iran, including Yazd, Kashan, Isfahan, and Abyaneh, these distinct door knockers are still in use. They continue to serve as a symbol of Persian etiquette, respecting the privacy of households while welcoming guests warmly.

Title: Male Knocker #1

Medium: 3D on Canvas

Size: 50x30 cm

Year Created: 2020

Price: €550

Original/Prints Available

 

"Faravahar"

SOLD

 

Ahura Mazda: meaning "The Wise Lord," is the supreme god of Zoroastrianism, one of the world's oldest monotheistic religions, founded by Zoroaster over 3,000 years ago in ancient Persia. He embodies truth, light, and wisdom, opposing Angra Mainyu, the force of darkness and deceit.

Zoroastrianism shaped major world religions, including Judaism, Christianity, and Islam. Though now a small community, primarily in Iran and India (Parsis), its rich legacy endures. The faith's teachings, rituals, and hymns are preserved in the Avesta, reflecting its lasting spiritual and cultural influence.

Core beliefs include:

Good Thoughts, Good Words, Good Deeds: A guiding principle for living a moral life.

Elements of the Faravahar:

1. Human Figure: Represents the soul and the individual's responsibility to pursue righteousness.

2. Wings: Consist of three rows of feathers symbolizing good thoughts, good words, and good deed.

3. Tail Feathers: The three rows signify avoiding bad thoughts, bad words, and bad deeds.

4. Circle in the Center: A symbol of eternity and the soul’s immortality, representing loyalty, faith, and commitment. In Zoroastrianism, it signifies a covenant, reminding one to uphold righteousness and moral duty in life.

5. Two Streamers: Attached to the circle, they symbolize the duality of good and evil, urging individuals to choose the right path.

6. The Hand: The figure often holds a ring, symbolizing loyalty and faithfulness.

 

Title: Faravahar

Medium: 3D on Canvas

Size: 50x30 cm

Year Created: 2018

Price: €650

Original SOLD/Prints Available

 

"The Silent Invitation"

 

This painting is built on canvas. It was the first time I cut the canvas on the frame! After the first cut I felt comfortable to carry on, and create the pattern. 

Read the story, it is beautiful!

The lattice window, known as "Orsi" in Persian architecture, it played a significant role in privacy, culture, and tradition. These beautifully crafted wooden or stone windows, often decorated with intricate geometric patterns, allowed those inside the house, particularly women, to observe the outside world without being seen.

Their patterns filtered light and air while symbolizing hidden stories, silent conversations, and the balance between tradition and choice.

Lattice window

These intricately designed windows allow light and air into homes while maintaining privacy.

• If the light was on, the family was awake and visitors were welcome.
• If it was off, it signified that they were resting and preferred no disturbances.

Silent Language

In traditional Persian society, where modesty and social etiquette were deeply valued, lattice windows became a silent medium of communication. When a man came to visit a household, especially if he was a potential suitor, the young women of the house could observe him from behind the lattice window without direct interaction. This gave them a chance to see his demeanor, his manners, and even his looks, while maintaining the social boundaries of the time.

One of the most fascinating customs tied to this tradition was the tea ritual during a marriage proposal.

If a young man was interested in marrying a girl, he and his family would visit her home, and she would be given the responsibility of serving the tea:

• If she liked the suitor, she would personally serve the tea, a silent yet powerful sign of acceptance.
• If she was not interested, one of the other girls in the house would take over and serve the tea, making it clear that she did not wish to accept the proposal.
• If her mother pressured her to serve the tea against her will, she would serve cold tea, a subtle yet unmistakable way of expressing her refusal without outright rejection.

This silent language of the lattice window and the tea ritual reflects the deep-rooted symbolism and respect for choice in Persian traditions. Women found clever and respectful ways to express their thoughts and preferences.

Today, lattice windows remain an architectural treasure in Persian homes, mosques, and palaces, reminding us of the rich history and customs they once witnessed.

 

Title: The Silent Invitation

Medium: 3D on Canvas

Size: 70x50 cm

Year Created: 2018

Price: €1,350

Original/Prints Available

 

"Endless Strength"

 

Endless Strength" representing the resilience of Persian culture and the fortitude of women. The tiles on the canvas highlight the richness of Persian heritage, while broken tiles symbolize the cultural destruction caused by irresponsible governance. Despite historical challenges, the artwork emphasizes the unyielding nature of cultural identity and the enduring strength of women.

The torn dress in the painting represents the attempts to exploit and suppress women, suggesting that many try to take advantage of them. However, the depiction underscores that these efforts are futile, as women are inherently strong and always find ways to preserve their strength. The straps resting on her shoulders signify her effort to hold onto her identity. If they are torn, she risks losing herself, yet she continues to fight for her rights, refusing to be silenced

The 3D depiction of a woman's nipple further challenges censorship and gender inequality, underscoring women's beauty and resilience.

This censorship has not only been seen in Muslim countries, but Western countries have also tried to enforce it since early times. You will notice it in magazines and on social media.

Remember, men also have nipples, yet they haven't been censored. Women never censor their nipples because it is a part of our body, just like it is for men. I bold the nipple in the painting to say that even if you censor it, you will still see it.

"Endless Strength" is a call for cultural preservation and gender equality, celebrating the unbreakable spirit of both. No matter the obstacles, our identity and resilience will endure, etched into history, unyielding, and eternal.

 

Title: Endless Strength

Medium: 3D on Canvas

Size: 102x76 cm

Year Created: 2021

Price: €3,300

Original/Prints Available

 

"Persian Door House No. 47"

 

When I set out to create this piece, I envisioned it as a life-sized door, something that felt real, something that could almost be opened. The larger scale and intricate details made the process more time-consuming, but for me, the result was all that mattered. Even now, when I look at this door, I sometimes feel the urge to reach out, knock the female knocker, and waiting to step into whatever story lies behind it.

All elements in this painting are handmade using materials I created. 

In the past, and even today in some old houses with large courtyards, people couldn’t always hear someone knocking because the entrance was far from the living spaces. The solution? Two distinct knockers, each with a different shape, producing a unique sound, one for men, one for women. But beyond just identifying the visitor, these knockers also symbolized respect. 

Behind every door lies a world of untold stories, moments of laughter, sorrow, reunions, and whispered secrets. Doors stand as silent witnesses to our lives, guarding the memories that shape us.

Persian doors, with their exquisite craftsmanship and deep symbolism, have always fascinated me. Their unique double knockers, once used to distinguish between male and female visitors, reflect a tradition of respect and privacy.

Through my art, I aim to preserve cultural heritage and invite viewers to reflect on time, history, and the unseen narratives hidden behind every door.

Title: Persian Door

House No. 47

Medium: 3D on Canvas

Size: 142x88 cm

Year Created: 2020

Price: €9,890

Original/Prints Available

 

"Bound by Time"

 

 

This artwork brings a weathered Persian door to life, with its aged wood and rusted metal elements appearing strikingly real.

All elements in this painting are handmade using materials I created.

The 3D bolt and lock, meticulously crafted on canvas, add an extraordinary sense of depth, making the viewer almost reach out to touch it, allowing them to almost feel the roughness of time itself.

The bolt embodies time, resilience, and forgotten stories, evoking nostalgia and mystery. It symbolizes security, secrecy, or abandonment, what lies behind remains unknown. It invites us to reflect on what we lock away, hold onto, and may one day choose to open.

Whose hands once turned this lock? 

The bent nail holding the lock may not be perfect, but it serves its purpose, a testament to past ingenuity, where practicality outweighed perfection. It reflects resilience, endurance, and the true essence of strength.

Through texture and dimension, this piece challenges the limits of painting, merging fine art with sculptural realism. It invites the viewer to not only see but to feel the weight of time, tradition, and secrecy.

 

Title: Bound by Time

Medium: 3D on Canvas

Size: 45x35 cm

Year Created: 2022

Price: €745

Original/Prints Available

 

 "The Pressures of Time"

 

I created this painting in 2024, and it took time to complete. The cracks on the canvas grew more intricate, and at times, I lost myself in the lines. But the turquoise blue gave me the energy to keep going, bringing this piece to life. I wanted the bricks to feel real, carrying the weight of time in their texture.

All elements in this painting are handmade using materials I created from the knockers to the lattice window.

In the past, and even today in some old houses with large courtyards, people couldn’t always hear someone knocking because the entrance was far from the living spaces. The solution? Two distinct knockers, each with a different shape, producing a unique sound one for men, one for women.

The knockers carried deep cultural meaning, reflecting values of respect, privacy, and hospitality. This tradition dates back to ancient Persia, likely originating during the Achaemenid era (550–330 BCE) and continuing through the Safavid period (16th–18th century), when Persian architecture flourished.

Above the door, the lattice window served as a quiet form of communication. If the light inside was on, the home was open to visitors. If it was dark, it meant the family was resting a simple, silent language of respect.

Beside it, the bricks press against the wooden frame, slowly cracking it, a silent reminder of how tradition and change shape one another. Yet, the door stands strong, a guardian of the past, and an invitation to the present. In Persian architecture, bricks have long been the foundation of cities and sacred spaces symbols of resilience and history.

 

Title: The Pressures of Time

Medium: 3D on Canvas

Size: 147x96 cm

Year Created: 2024

Price: €9,950

Original/Prints Available 

 

"Steps Through Time"

 

I began designing this painting in 2019, but bringing my vision to life proved to be a challenge especially the stairs. Unlike ordinary staircases, their structure felt complex, almost elusive. Frustrated, I set the painting aside for two years. When I returned to it, I started with the flowers, hesitant about the yellow hues from the original image. Something felt off. I painted over parts of it, unsure of my next step, yet I never abandoned it. I knew I just needed time to figure it out.

Finally, in 2024, I completed the piece, and it was worth every moment of patience and persistence. The Ali Qapu staircase in this painting is more than just an architectural element, it is a passage through time. 

Each worn step carries the weight of history, shaped by those who have walked it for centuries. The delicate floral patterns, the interplay of light and shadow, and the intricate details speak of artistry and tradition. Through this work, I wanted to capture the soul of this place, not just its form to breathe life into the beauty, and grandeur that still lingers within its walls.

Ali Qapu Palace stands at the heart of Isfahan, a masterpiece of Persian architecture built in the early 17th century during the Safavid dynasty. Its name, meaning "The Great Gate," once marked the entrance to the royal precinct.

 

Title: Steps Through Time

Medium: 3D on Canvas

Size: 120x80 cm

Year Created: 2024

Price: €9,850

Original/Prints Available

 

"The Soul of Persia House No. 13"

 

One of the challenge I had with this painting, was that it was taller than my height, making it difficult to reach the top to paint, as a result I ended up with severe neck pain whilst creating these pieces! As I worked on this painting since 2024, whether in my studio or outside, people would stop and stare, trying to make sense of what I was creating. Some hesitated before asking, “Is this real wood? Did you bring it from Iran and paint over it?” The curiosity was endless, which I liked it!

Since so many asked, I decided to place a sign above the painting: “Handmade Persian Door on Canvas.” I thought it would clarify things. Instead, it only deepened the confusion! Even after reading the sign, people couldn’t believe that there was no actual wood or metal in the piece, it was all crafted on canvas. When I turned the painting around to show them the back, their astonishment never failed to amuse me. Seeing their reactions, the disbelief in their eyes, only made me more excited about my work.

A visitor mentioned that the more you work on the door, the older it becomes! which was a very insightful point.

Imagine standing before this door, reaching out to knock. As your hand touches its surface, you sense the history embedded within, the countless stories, the generations who have passed through it. When it opens, you are greeted with the warm embrace of Persian hospitality, where a guest is not just a visitor but an honored soul.

If you are fortunate enough to be invited inside, you will be welcomed with a feast, food prepared with love, generosity that comes naturally. And when it’s time to leave, your host will walk you to the door, their farewell as heartfelt as their greeting.

As the door gently closes behind you, its presence lingers a reminder that in Persian culture, a door is not just an entrance. It is an invitation, a silent guardian of tradition, and a gateway to warmth, kindness, and memories that stay with you long after you’ve left.

 

Title: The Soul of Persia

House No. 13

Medium: 3D on Canvas

Size: (180x45) x2 cm

Year Created: 2025

Price: €9,950

Original/Prints Available

 

"Mystical Invitation"

 

This painting takes me back to my childhood, to the summers, a vessel of memories, it recalls the days when families from Tehran would return to the village of their parents/grand parents, bringing life back to its quiet homes. Each summer, these houses filled with guests, and every home became a place of welcome, where meals were shared, laughter was endless, and the bonds of family grew even stronger. It was a time of togetherness, where doors were never closed, and hospitality was second nature. The chair, now weathered and worn, remains a reminder of those fleeting, precious days. 

As I painted this piece, I often set up my easel outside my studio, letting the fresh air guide my brushstrokes. People passing by would stop and stare, and say "Wow, I like it!" It's always gratifying to hear people appreciate what I'm creating. However, they often seem unsure of what they’re looking at, peering behind my easel, getting closer, or even viewing it from the side, sometimes, they can’t resist touching the painting. While I usually prefer that people don't touch the artwork, I understand their curiosity, trying to figure out if it’s wood or what exactly it is!

Viewers get the feeling that this painting is an invitation, it is a passage to the past, a celebration of heritage, and a doorway to the soul. The weathered Persian doors stand open, welcoming the viewer to step inside, to explore, to embrace the beauty of nature beyond them. 

The pomegranate trees, bursting with vibrant red fruit, hold deep cultural meaning in Iran. A sacred symbol of fertility, abundance, and the cycle of life, the pomegranate has woven itself into Persian traditions, poetry, and celebrations for centuries.

Among the trees, tall poplars stand like silent guardians, witnessing countless family reunions. In Persian culture, they represent resilience, strength, and the deep-rooted bonds of family.

 

Title: Mystical Invitation

House No. 67

Medium: 3D on Canvas

Size: 123x101 cm

Year Created: 2025

Price: €9,500

Original/Prints Available

 

"Rusted Door"

 

Iron doors in Persian architecture carry the weight of history, resilience, and transformation. While traditional Persian homes were often adorned with intricately carved wooden doors, the shift to iron reflected a changing era one marked by industrial progress, warfare, and the necessity for stronger, more durable materials.

During the late Qajar and early Pahlavi periods, iron became more prominent in Persian architecture. As trade routes expanded and industrialization reached Iran, blacksmithing flourished, leading to the production of elaborately forged iron doors. These doors were statements of strength and protection, often adorned with geometric patterns, floral motifs, and calligraphy that blended function with artistic expression.

Rusted iron doors, in particular, tell a story of endurance. Over time, the iron oxidizes, its deep reddish hues reflecting the passage of time much like the ancient Persian cities they belong to. The rust, instead of weakening the door’s presence, adds to its character, symbolizing how history leaves its mark on everything it touches.

In Persian culture, doors were never just about security; they represented thresholds between worlds, whether between the private and public, the sacred and the mundane, or the past and the future. The rusted iron doors of Persia remind us of an era when craftsmanship and resilience defined the very entrances that welcomed and protected generations.

 

Title: Rusted Door

Medium: Mixed Media on Canvas

Size: 50x40 cm

Year Created: 2024

Price: €450

Original SOLD/Prints Available

 

"Door Ornaments"

 

 

In this painting, I have used oil paint to create an ornamental door that appears three-dimensional, honouring the incredible craftsmanship of Persian artisans. The intricate metalwork on Persian doors, like the one depicted here, stands as a testament to the region's rich artistic legacy.

The ornate metal fixtures, carefully handcrafted by skilled artisans, are often shaped into floral, geometric, or calligraphic designs. These symbols represent prosperity, protection, and hospitality, vital elements of Persian culture. The aged wooden backdrop, weathered by time, adds historical depth and beauty to these masterpieces.

Through the play of light and shadow, the painting gives the illusion of depth, echoing the way these ornaments, though two-dimensional in appearance, seem to come to life. These details are a bridge between the past and present, holding the essence of those who passed through these doors.

This painting reflects the soul of a timeless tradition that continues to inspire and endure.

Title: Door Ornaments

Medium: 3D on Canvas

Size: 60x45 cm

Year Created: 2018

Price: €650

Original/Prints Available

 

"Layers of Time"

 

 

This artwork is a meticulously crafted small-scale Persian door, yet it captures every intricate detail of its historical inspiration. Despite its size, the depth of texture, weathered wood, aged metalwork, and the carefully placed lock, and knockers make it feel like a life-sized piece of history. Every element has been sculpted with precision, ensuring that the spirit and authenticity of a grand Persian door are fully preserved.

Bricks surrounding the door enhance its historical essence, echoing Persian architecture’s legacy of endurance and craftsmanship. Used for millennia in cities, palaces, and sacred sites, they symbolize strength and the passage of time. Though small in scale, this door carries the weight of stories, memories, and traditions within its details.

The bricks in this artwork pay homage to Persia’s rich heritage, symbolizing history, time, and resilience. In ancient Persia, bricks were more than building materials, they told stories through inscriptions and carvings, shaping cities and preserving history. Here, the bricks framing the Persian door serve as a metaphor: just as bricks support a structure, culture protects and preserves identity.

 

Title: Layers of Time

House No. 20

Medium: 3D on Canvas

Size: 74x59 cm

Year Created: 2024

Price: €6,450

Original/Prints Available